Author
That’s right, I said it.
Nevertheless, here’s what I’ve been up to since late summer — trying to find something, anything to say about the new crop of fall shows from the broadcast and cable networks. I didn’t give any A’s this year and a whole lot of D’s and F’s — and, yes, I did a self-reflective moment to make sure I wasn’t just wearing an extra-cranky pair of crankypants. This year’s season gets a 1.88 GPA, which, in my book, equals academic probation, right?
Sorry to have made it seem that I once again abandoned this blog. After I left Montana, I was on the road for 37-38 days (depending on how you add it up), with a lot of stops along the way. I’m back in D.C. now.
While criss-crossing America, I also went back to my job as TV critic at The Washington Post, filing a heap of TV reviews from hither and yon, mostly yon.
Monica Hesse and Dan Zak’s 2013 edition of The Washington Post’s annual List is out, and it’s a good one.
This is the 35th year that the Style section has put out an “in/out” List, a tradition begun by Nina Hyde and Jura Koncius in 1978. It was my great pleasure (and huge headache) to pen The List in 2000 and then from 2003-2009. It is my greater pleasure that Dan and Monica are now in charge of doing it. Like anything worthwhile, it’s much harder than it looks.
On Monday, we finished up critiquing the Nov. 7 scene stories. For my general diagnoses of these stories as a whole, please see the Nov. 19 recap. Meanwhile, here are excerpts from the three stories that I liked best, and why. (I haven’t fixed anything — the copy you’ll read here is exactly as it was filed to me.)
We’re delving into scene stories now, and what do I mean by that? It’s a feature that’s not too long, heavy on narrative and vivid detail, that takes a reader into a place they might not normally go, or were too busy to get to, or don’t have the access to. Reporting on a trial is, in a way, a scene story: What happened, but also, what did the courtroom feel like as it happened? What did people say during court recess, in the hallways? What did people wear? How did they react to evidence, testimony, verdicts? And, of course, what is the news?
Call the midwife! I’ve once again assisted in the birth of another FALL TV ISSUE (would you believe my fourth?). You can read every last bit of it online by going here. But if you’re in Washington, won’t you do us the kindness of buying a paper? This year included reviews of all the new scripted shows, as usual– 22 of them, not technically all if you count that new Scott Baio comedy on cable and other morsels buried deep down on the program grids.
Fall TV season! For you it began long ago, when NBC first started airing those endless commercials for “Whitney.” For me it began even longer ago, and involved a two-week press tour in Los Angeles in August. (Rough life, I know — boo hoo.)
I was trying to figure out why I haven’t blogged in so long (erm, THREE MONTHS) other than the usual excuses, most of them having to do with my undying admiration for what Nancy Nall manages to pull off nearly every weekday morning of the year — while also working her fingers to the bone on other paying gigs. My stuff here definitely remains in the slowest possibble slow-blogging category. And yes, that’s a thing, or once was.
On the upside, I guess, it’s just you and me now. No one comes here anymore.
For all y’all who’ve spent a lot of this week snowed in …
Washington was spared (this time) but for some reason I was having vague memories about this piece, from February 2003, and I wanted to go back and make sure I wasn’t imagining that I actually wrote it. I remember it was inspired (and suggested) by Frank Ahrens. It’s short. It’s about how guys go all macho when it snows and stomp in to the office unshaven and fleeced out.
Enjoy it all over again, or for the very first time.
My broader analysis of the cultural zombie fixation, vis-a-vis my Walking Dead review on Sunday.
And another nice use of art on the section front (see below), courtesy of illustrator Zohar Lazar. The print edition of the newspaper is still a bargain and a visual treat that the web site just frankly still isn’t. However, with the web version, you get a brief slide show of zombies. In a perfect world, you’d get both the lovely freelance illo AND the web extras. Maybe iPad will somehow deliver on the promise of principled design and neat, new geegaws…
